Austin City Limits Music Festival 2011 – Friday

The 10th Anniversary of the Austin City Limits Festival brought together a diversified lineup from dubstep deejay Skrillex to bluegrass angel Alison Krauss to motown king Stevie Wonder to west Texas songsmith Ryan Bingham. As always I began my first day with the western swing revivalists Asleep at the Wheel. They opened with “Miles and Miles of Texas.” Ray Benson and his band of accomplished musicians played Bob Wills standards like “New San Antonio Rose” and songs about Bob like the Waylon Jennings classic “Bob Wills Is Still The King.” The Wheel played their hit “Hot Rod Lincoln” and a new song originally performed with Willie Nelson called “Hesitation Blues.” On the set list appeared “Get Your Kicks on Route 66,” “Bump Bounce Boogie,” and “Boogie Back to Texas.” The Wheel brought the sounds of western swing alive.

I caught the end of the Theophilus London set. Banging beats, fresh rhymes, and creative samples impressed this particular listener. For example, London looped a sample of Whitney Houston’s “I Will Always Love You” over a fat beat dropping science in the rain. London also played his hit “Love Is Real.” The juxtaposition of hip hop with the sweet sounds of the Secret Sisters, in my opinion, is the beauty of a good festival. Diversity is essential.

The Secret Sisters played their hit song “Tennessee Me,” but it was their song selections from past country legends Hank Williams, Willie Nelson, the Everly Brothers, and Patsy Cline that really hit the spot. Take for example, their cover of “Why Baby Why,” which was soft and pure sweetness. These sisters from Muscle Shoals, Alabama strike a sentimental chord in me. The Southern ladies also played the Rufus Wainwright tune “Do You Love An Apple.”

We followed Secret Sisters with the electronic soul man James Blake. The Englishman opened with “Unluck” and “Give Me My Month.” For the most part the talented composer form London stuck with songs from his debut album James Blake, including the tracksI Never Learnt To Share,” “Lindisfarne I,”and “Lindisfarne II.” I especially liked his Fiest cover Limit To Your Love.” And, he spaced out “The Wilhelm Scream,” which concluded a nice set.

Big Boi from the Outkast crew brought Dirty South bounce and swagger into Zilker Park. Unlike many of the recent hip hop shows I’ve seen lately, Big Boi’s flow was exquisite and the sound clear. The set included tracks “General Patton” and “Follow Us” from the new album Sir Lucious Left Foot…The Son Of Chico Dusty. But the afternoon also saw a fair share of classics like the “cooler than a polar bear’s toenail” track “ATLiens” and the harmonica banger “Rosa Parks.” Big Boi proved he had a deep catalog with crowd pleasers “So Fresh, So Clean” and “Ms. Jackson.” He also brought rock and roll rap fusion with the protest song “B.O.B.” And, I was very pleased that the Atlanta native unleashed my personal favorite Outkast gem “The Way You Move.”  Nas & Damian Marley followed the Atlanta native rapper making this a lively stage.

Damian “Jr. Gong” Marley entered the stage as the flag bearing the red, gold, and green and the Lion of Judah flew. “As We Enter” kicked off the set. One of my favorite things to do is to see a Marley brother in Austin. Mr. Marley brought the reggae magic while the rhyme-smith Nas dropped serious science. In reality both of these cats are amazing lyricists and when done in tag-team fashion over dope beats booties commence to shake. “As We Enter” the lead track off the excellent Distant Relatives album is a great example of the combination of danceable sounds spiced with tangling hip hop and patois rhymes. The hard-hitting “Nah Mean” kept the vibe alive displaying the perfect marriage of reggae dancehall, African culture, and American rap.

Then Nas unleashed one of my favorite old school rap gems “If I Ruled The World (imagine that).” Following on the heels of the rap standard the Africanized “Dispear” brought down the house. Rebellion drips from this tune. I love it. The fevered pitch of the pounding “Dispear” was cooled off nicely by the roots reggae jam “Land Of Promise.” This Dennis Brown infused track is modern reggae at its best. Positive messages entwined with earth crushing roots reggae sounds made for a perfect evening. Jr. Gong’s “More Justice” from 2001’s Halfway Tree kept the show on this track.

Marley played several songs from his popular album Welcome to Jamrock. “Move!” sampled Bob Marley’s “Exodus” merging classic reggae and new ragamuffin styles and phrasings. Similarly the title track “Welcome To Jamrock” mixes Ini Kamoze’s “out in the street they call it murder” sample and a riddim straight from Kamoze’s “World A Music” into the biggest reggae hit of the 2000s. Marley and Nas then displayed their skills on the “Road To Zion,” which I believe  set the original mood for the Distant Relatives collaboration. They closed with the Bob Marley smash hit “Could You Be Loved.”

Mavis Staples performed under the tent producing a revivalist feeling in the middle of Zilker Park. Civil Rights, spiritualism, and good music swirled under the tent, take for example, the songs “Freedom Highway” and “Creep Along Moses.” Staples made everyone dance and sing to the soul classic “I’ll Take You There.” To experience the best of soul music and to get a taste of what soul music was like in the 1970s go see Mavis Staples. The energy is extraordinary! We concluded the evening with the English rock group Coldplay. “The Scientist” and “Clocks” made the set list, while an Amy Winehouse’s “Rehab” set up a very nice “Fix You.”

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Austin City Limits Music Festival 2011 – Friday

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