- Graham Wilkinson – The Spiritual Accessories EP [Little Windmill Records 2011]
- Trombone Shorty – For True [Verve Forecast 2011]
- Various Artists – O Brother, Where Art Thou? [Lost Highway 2011]
- SuperHeavy – Super Heavy [Universal 2011]
- Preservation Jazz Hall Band and the Del McCoury Band – American Legacies [McCoury Music 2011]
- Various Artists – Our Favorite Beres Hammond Songs [VP Records 2011]
- The Secret Sisters – The Secret Sisters [Universal Records 2010]
- Bunny Lee – Dub Will Change Your Mind [King Spinna Records 2011]
- Aloe Blacc – Good Things [Stones Throw Records 2010]
- Various Artists – Listen To Me: Buddy Holly [Verve Forecast 2011]
- Augustus Pablo – This Is Augustus Pablo [VP Records 2011]
- Various Artists – The Biggest Ragga Dancehall Anthems 2011 [VP Records 2011]
- Wilco – The Whole Love [dBPM Records 2011]
- James Blake and Bon Iver – Fall Creek Boys Choir [Universal Records 2011]
- Tom Waits – Bad As Me [Anti/Epitaph 2011]
- Olivia Tremor Control – The Game You Play is in Your Head, Parts 1, 2, & 3 [Cloud Recordings 2011]
- Theophilus London – Timez Are Weird These Days [Warner Brothers 2011]
- St. Vincent – Strange Mercy [4AD 2011]
- George Strait – Here For A Good Time [MCA Nashville 2011]
- Zee Avi – Ghostbird [Brushfire Records 2011]
- Clap Your Hands and Say Yeah – Hysterical [CYHSY 2011]
- Jesse Sykes & the Sweet Hereafter – Marble Son [Station Grey Records 2011]
- Pedro Soler & Gaspar Claus – Barlande [InFine 2011]
- Lisa Hannigan – Passenger [ATO Records 2011]
- Lenny Kravitz – Black And White America [Atlantic Records 2011]
I went to ACL yesterday and saw some great bands, including Sahara Smith, Asleep at the Wheel, Blues Traveler, Kings Go Forth, the Black Keys, Pat Green, Slightly Stoopid, Vampire Weekend, and Phish. Wimberly, Texas-based Sahara Smith opened on the Austin Ventures stage and I liked the song “Are You Lonely.” But, it was Asleep at the Wheel that set the mood for the rest of my ACL experience. Ray Benson and his friends rocked. With steel guitar, fiddles, piano, guitars, bass, and drums The Wheel blazed through a hot set of western swing and classic country. The band opened with “Miles and Miles of Texas” and “Get Your Kicks on Route 66.”
Asleep at the Wheel has been an institution in Texas since the 1970s. The band paid tribute to their heroes Bob Wills & His Texas Playboys with a Waylon Jennings song “Bob Wills Is Still The King.” From there they played the Bob Wills super-hit “New San Antonio Rose.” Often Asleep at the Wheel teams up with a famous artist. For example, Leon Rausch recorded a new album with the Wheel called It’s A Good Day. At ACL Asleep at the Wheel played the title track from the album. The swinging musicians also played tracks from the Willie And The Wheel album recorded with Texas icon Willie Nelson, including “Hesitation Blues,” “Sweet Jennie Lee,” “Oh! You Pretty Woman,” and “I’m Sittin’ on Top of the World.”
The rollicking Asleep at the Wheel set got even better with the hilariously titled song “Big Balls in Cowtown.” Followed by one of my favorite tunes of all time: “Hot Rod Lincoln.” I am a big fan of the post-1960s western swing revivalists. Commander Cody and His Lost Planet Airmen are another fine band that fits into the mold–a band that also played a wild version of “Hot Rod Lincoln,” as well as a great version of “Smoke, Smoke, Smoke That Cigarette.” Commander Cody appealed to the west coast hippies paying homage to the Cowboy Code. Long haired Ray Benson fits in with these western swing revivialists, but Asleep at the Wheel is more than all that. They have become an institution in Texas keeping musical traditions alive. Plus Texas music history owes a debt of gratitude to the band. The excellent theatre production A Ride with Bob featured Asleep at the Wheel and the amazing Ruby Jane playing a young Bob Wills. From pure western swing to boogie woogie the Wheel wrapped up their set with “Boogie Back to Texas” and “Bump Bounce Boogie.”
Donavon Frankenreiter followed the Wheel with a fun set including “Move By Yourself” and “Free.” Frankenreiter played a sweet song written for his son titled “Call Me Papa.” He then covered Tom Petty’s “American Girl,” putting a chill twist on the Classic Rock gem. The mustached singer played his hit single “Glow” and the catchy “It Don’t Matter.”
Blues Travelerkilled with their old school single “But Anyway” and a cover version of Radiohead‘s “Creep.” The hit singles “Run-Around“ and “The Mountains Win Again” were followed by an amazing jam with the 15-year-old fiddle player Ruby Jane. Jon Popper and his tight jam band also covered the Sublime song “What I Got” ending with the mega-hit “Hook.”
The Kings Go Forthwere the great surprise band for me on Friday. Their 1970s funky disco sounds were groovy. This 10-piece American soul band from Milwaukee, Wisconsin has an incredible stage presence to accompany jams like “One Day,” “I Don’t Love You No More,” and “Don’t Take My Shadow.” We all know what made Milwaukee famous, but now we know why it is funky!
The Black Keys powered through a garage rock and blues set that included “Thickfreakness,” “Strange Times,” “Tighten Up,” “Your Touch,” and “Everlasting Light.” While Texas country artist Pat Green transitioned from the anthem “Wave on Wave” into a nice cover of U2‘s “All I Want Is You.”
I have seen Slightly Stoopid at ACL at least three times now. And I have liked every show. The dubby grooves are infectious. The reggae-punk rock formula originally perfected by Long Beach’s Sublime works well. Plus the lads from San Diego have mastered their vocals and guitar playing and their brand of stoner rock is always welcome in Austin. Among the songs played at the festival were “I Would Do For You” and “Till It Gets Wet” and the extremely danceable “Somebody.” Slightly Stoopid plays party songs interlaced by the occasional punk rock explosion like “Punk Rock Billy.” But don’t think there is not a message in the music. Just take a close listen to the politically charged “Runnin’ With A Gun.”
Vampire Weekend provided a nice segue between the dub of Slightly Stoopid and the jam rock of Phish. The Columbia graduates sound like Paul Simon’s Graceland with strong hints of The Clash and various other world music sounds mashed together into a refreshing pop sound. The set list included: “Horchata,” “Cousins,” “Oxford Comma,” “White Sky,” “Holiday,” “California English,” “I Think Ur A Contra,” and “Walcott.”
Phish played a classic set opening with a rocking “Down With Disease.” They followed up that original song with a cover of the Talking Heads track “Cities.” Phish is Mike Gordon on bass, Trey Anastasio on guitar, Jon Fishman on drums, and Page McConnellon keys. But at times it seems like there might be twenty people on stage. The sound is full and lush and really meant to be listened to at a venue like Zilker Park. Following the Talking Heads cover, Phish geared up for a funky-driving “Possum.”
“Wolfman’s Brother” brought people to their dancing feet while a jammed out version of “Chalk Dust Torture” awed the crowd. My favorite moment was an unexpected Velvet Underground cover. I dig Lou Reedand the Velvet Underground, so a bad ass version of “Rock And Roll” is alright with me. From this foray into the underground Phish smoothly transitioned into an almost symphonic spaced out “2001.” I am also a big fan of the newest album Joy, from which Phish played the excellent track “Backwards Down The Number Line .”
After a reggafied “Harry Hood” the boys played another one from Joy called “Light.” I am not as familiar with this song, but it provided a nice pallet cleanser for a rockin’ “Suzy Greenberg.” The set concluded with an extended “You Enjoy Myself.” The encore rocked with a killer version of “Cavern” and a crowd-pleasing “First Tube.”
Quite frankly, Phish put on a hell of a show. It was nice to see Phish in Texas again. I hadn’t seen Phish in Austin since they played at South Park Meadows in the late 1990s. Hopefully, Phish will return to Texas in the near future. People forget Trey Anastasio was born in Fort Worth, Texas. So come on boys, bring it on back to Texas sometime. Why not? I guarantee a sold out crowd at the Bass Performance Hall in downtown Fort Worth. Come rip our faces off with a howling version of The Edgar Winter Group‘s “Frankenstein.”
This weekend I caught some music in Austin. I got in to the live music capital of the world at the tail end of the South By Southwest (SXSW) festivities, which features official and unofficial showcases that bring together bands from across the globe. I went to an unofficial show at the Mean Eyed Cat. This old saw sharpening workshop turned club and living tribute to Johnny Cash rocked Friday night as Kimya Dawsonand Graham Wilkinson & the Underground Township played some great tunes.
Graham played some of my favorites including “Boys & Girls,” “Let It Go,” and “Polvo’s Martinis.” Christopher Denny joined Graham for a rollicking Bob Dylan cover with shredding guitar solos and wailing harmonica. “The Man in Black” himself would have loved this night of music. The sounds were as eclectic as Johnny’s tastes. From Dylan folk ballads to protest songs to country and reggae to rock and roll, Kimya and Graham kept Austin weird for another night!
The rain fell as the music filled the park. Mud seethed underfoot and gushed between toes. Among the strong aromas and beautiful sounds, the 2009 Austin City Limits Music Festival came alive and offered another memorable year of music. Although environmental factors change from year to year, from stifling heat and dust to drenching rain and mud, the show never stopped. The music continued. And Austin proved itself again as the live music capitol of the world.
I caught Dr. Dog at the Dell Stage for my first show. I found these boys from Philadelphia to be quite harmonic, reminiscent of the psychadelia rock of the Beatles and The Byrds. Songs like “The Breeze” and “The Old Days” displayed that smooth 1960s sound. But my favorite song on the set list was “The Rabbit, The Bat & The Reindeer.”
I had heard of Phoenix, but I had never listened to their music. A friend convinced me to see this alternative rock band from Versaille, France. The comparisons to their French peers Daft Punk and Air interested me. Ultimately I understood the comparisons, finding the sound close to a New Order-like electronica pop. Phoenix pleasantly surprised me with tunes like “Lisztomania,” “Lasso,” “If I Ever Feel Better,” “Fences,” “Girlfriend,” “Run Run Run,” “Too Young,” “Rome,” and “1901.” Many of the songs appear on the new album Wolfgang Amadeus Phoenix.
The best show of the day came from the Somalian born/Canadian based rapper k’naan. Under the Wildflower Tent the slender Somalian rocked the crowd with political prose, heart-felt lyrics, and blistering beats. Appropriate adjectives include humble, inspirational, and talented. k’naan had a broad appeal, drawing young children and old people, and all those between the young and old. An intimate performance captivated the crowd.
The track “T.I.A. [Explicit]” thundered bass as K’naan introduced the crowd to his unique brand of hip-hop. “T.I.A.” samples Bob Marley’s classic ska tune “Simmer Down,” layers it over heavy beats, and atop raps the brilliant young wordsmith. In Africa, Bob Marley, Lucky Dube, 2pac, and The Notorious B.I.G. reign supreme. k’naan studied these great performers and his sound reflects those influences. Yet the sound is original. The music is gangsta but peaceful, hard but soft, and always chalk full of the contradictions and realities of life.
From Africa the Somalian took us on a trip to “America.” On the album, Mos Def and Chali 2Na join the track with their rhymes on the studio version of “America,” but solo and live K’naan brought this song to its full potential without the help of these great lyricists. The song “Take A Minute” brought emotion to the tent. The following love ballad “Fatima” lightened the mood. And then the hardcore rap song “ABC’s” (with a Chubb Rock sample) rocked the and rolled with pure energy.
K’naan then sang a song about “Somalia,” which brought tears to the crowd’s eyes. The lyricist played two different versions beginning with an acapella and moving into a full band version. As K’naan says “his real will makes your real look like a rental.” This track talks about the perils of childhood in Somalia and the suffering of the people. K’naan harnesses the pain and realities of the world and turns them into amazing poetry. The rapper followed the tear jerker with “Bang Bang,” a nice jamming pop tune. And he ended his set with the a sing-a-long to “Wavin’ Flag.”
K’naan was the highlight of the evening. But the jams continued with Thievery Corporation. The dub electronica duo and band played on the main stage this year kicking out funky electronica with “.” The crew from Washington, D.C. also played the sitar heavy “Mandala,” displaying their unique acumen at world music.
In a testimony to the diversity of the music at ACL I caught parts of sets from the Texas country group Reckless Kelly and the hard-rocking new super trio Them Crooked Vultures. Them Crooked Vultures features bassist John Paul Jones of Led Zeppelin, drummer David Grohl of Nirvana and Foo Fighters, and Josh Homme the guitarist and lead singer from Queens Of The Stone Age. Kings Of Leon headlined Friday night playing their hits “Sex On Fire,” ”On Call,” and ”Use Somebody.”
The music continued after the festival at the ACL after shows. I went to a Township Records showcase at the Ghost Room downtown on 4th Street in the Warehouse District. I caught the end of Danny Malone‘s set. This kid has a beautifully haunting voice. My wife described him as a creepy James Taylor. His new album Cuddlebug features the eerie track “Basement.” Graham Wilkinson & the Underground Township played some of my favorite tracks from the new album Yearbook, including “Ragamuffin” and “Let It Go.”
Nature lovin,’ tree-huggin, hippy musician and artist Graham Wilkinson put together a fascinating group of Austin-based musicians to accompany his original and inspirational songs on the new album Yearbook. Graham Wilkinson and the Underground Township make beautiful music for mountain drives and nature hikes, but also for boisterous bars across North America. The music is original. Some might claim it is a kaleidoscope of roots music, folk, rock, Americana, jazz, and reggae, but really Graham Wilkinson and the Underground Township melt away genres and make new and exciting music.
On Yearbook Graham Wilkinson writes beautiful ballads like “Star Blue” and blues tunes like “The Corner Store” underscoring his brilliance at song writing. Drummer Matt Morris, bassist Wayne Dalchau, guitarist P.J. Herrington, and Chris Stringer on keys make up the backbone of the Underground Township on this particular album with Graham playing a range of instruments from harmonica and guitars to percussion. The Township is joined by a revolving cast of musicians from the Austin scene including Hayes Carll, Alejandro Escovedo, Ray Hilner, Meg Kemp, Mista Swift, Margaret Whitt-Harn, Joe Fallhaeber, Trisha Keefer, Mark Levine, Nick Warrechuk, Mark Wilson, Kyle Clayton, Will Duppy, Leila Henley, Heidi Johnson, Danny Malone, David Moss, Hector Munoz, Ron Weisberg, Dawnerin Wilkinson, Sarah Lu Wilkinson, and even legendary Texan musician Lloyd Maines.
The track “Ragamuffin” sticks out as a particular favorite of mine. I’ve always liked this song, but when it came up on my iPod (in a random shuffle mode) while cruising through the Rocky Mountains of Wyoming it seemed to be the perfect song at the perfect time. Hayes Carll and Graham Wilkinson share vocals on the song with Lloyd Maines playing a beautiful steel guitar. The gliding pace of the song helped me to glide smoothly over the meadows and mountain lakes.
The tracks on Yearbook like “La Brisa,” “Let It Go,” and “Boys and Girls” are not only great songs, but they also have been well produced here by Township Records. Township Records, run by bassist Wayne Dalchau, is a great local Austin indie label with talented new artists like Danny Malone, James Levy, and Graham Wilkinson and the Underground Township.
Yearbook is a concept album that takes a look back at the collaborations and music of 2008 in South Austin. The previous release from the band was the self-titled Graham Wilkinson & the Underground Township, which took a different approach to Graham’s songs. On Yearbook the tracks are more filled out. And the good news is, The Underground Township are taking this wonderful music on the road for 2009. The late summer tour is exhaustive. Make sure to catch Graham & the Township playing in a town near you.
|Aug 2 2009 6:00P||Freds Texas Cafe||Ft. Worth, Texas|
|Aug 5 2009 8:00P||The Whitewater Tavern||Little Rock, Arkansas|
|Aug 6 2009 9:00P||Tres Hombres||Carbondale, Illinois|
|Aug 7 2009 9:00P||Duke’s Hideaway||Chicago, Illinois|
|Aug 8 2009 9:00P||Duke’s Hideaway||Chicaco, Illinois|
|Aug 9 2009 8:00P||Village Inn||Suttons Bay, MI|
|Aug 10 2009 8:00P||Village Inn||Suttons Bay, MI|
|Aug 11 2009 8:00P||Village Inn||Suttons Bay, MI|
|Aug 12 2009 9:00P||The Happy Dog||Cleveland, Ohio|
|Aug 13 2009 9:00P||Hill Country BBQ||New York, New York|
|Aug 14 2009 10:00P||Blak Oak Tavern||Oneonta, New York|
|Aug 15 2009 8:00P||Fred Fest||Oneonta, New York|
|Aug 19 2009 9:00P||Northside Tavern||Cincinnati, Ohio|
|Aug 20 2009 9:00P||Boone Saloon||Boone, North Carolina|
|Aug 21 2009 9:00P||Tasty World||Athens, Georgia|
|Aug 22 2009 9:00P||Westville Pub||Asheville, North Carolina|
|Aug 25 2009 9:00P||Lynagh’s Irish Pub||Lexington, Kentucky|
|Aug 26 2009 10:00P||The Basement w/ Rufus Huff (Kentucky Headhunters)||Nashville, Tennessee|
|Aug 27 2009 8:00P||The Whitewater Tavern||Little Rock, Arkansas|
|Aug 28 2009 8:00P||Smoke and Barrel Tavern||Fayetteville, Arkansas|
|Aug 29 2009 8:00P||The Parish w/ The Blue Hit & Danny Malone||Austin, TX|