Top Ranking Albums of October 2010

The Sound Of Sunshine

  1. Bob DylanThe Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9)[Columbia 2010]
  2. Michael Franti and SpearheadThe Sound Of Sunshine [Boo Boo Wax 2010]
  3. Ruby Jane Feels Like Home [2010]
  4. Kings Go Forth The Outsiders Are Back [Luaka Bop 2010]
  5. Elton John and Leon Russell The Union [Mercury 2010]
  6. Jamey JohnsonThe Guitar Song [Mercury 2010]
  7. Alborosie Dub Clash [JDF 2010]
  8. Neil YoungLe Noise [Reprise 2010]
  9. Trey Anastasio Band TAB At The TAB [Rubber Jungle 2010]
  10. Two Door Cinema Club Tourist History [Glassnote 2010]
  11. John Legend and the Roots Wake Up! [Columbia 2010]
  12. Junip Fields [Mute 2010]
  13. Mark Ronson & The Business IntlRecord Collection [Columbia 2010]
  14. Donovan Frankenreiter Glow [Liquid Tambourine Records 2010]
  15. Various Artists – Blow Your Head – Diplo Presents: Dubstep [Mad Decent 2010]
  16. Easy Star All-Stars Dubber Side Of The Moon [Easy Star 2010]
  17. Dub IncorporatedHors Controle [Diverste 2010]
  18. Matt & Kim Sidewalks [Fader 2010]

Dubber Side Of The Moon

Top Ranking Albums of October 2010

Austin City Limits Music Festival 2010 – DAY THREE

Sunday at the Austin City Limits Music Festival was the best day of music I have experienced in a long time. We started the day with a brilliant set from Ruby Jane. The fifteen-year-old fiddle virtuoso played originals and well-picked covers, including a beautiful version of the Townes Van Zandtsong “Be Here to Love Me.” I especially like Ruby Jane’s “Feels Like Home.” Ruby Jane has an old time feel, but modern sensibilities. For example she put a new twist on the Django Reinhardt tune “Minor Swing.”  She played several originals like “Beautiful You, Happy Me,” “The Fall,” and “Stick Around” and concluded her set with a rocking “Greasy World.”

During the day, I caught sets from Ted Leo & The Pharmacists and Portugal The Man. I liked these bands, but it was Robert Earl Keenwho made me feel at home in Zilker Park. A standard bearer for the ACL festival, Keen played a nice mix of new tunes and classics. The classics included: “I’m Comin’ Home,” “Gringo Honeymoon,” and “Dreadful Selfish Crime.” Robert Earl Keen served up a chill version of “Feelin’ Good Again,” as well as a fantastic version of the Grateful Dead staple “I Know You Rider.” And of course the set was capped by a jamming version of “The Road Goes on Forever.”

Edward Sharpe & The Magnetic Zeros brought the festival to life. With the feeling of a revival this band of wonderful musicians commenced to make everyone dance and sing along. They opened with a nice “40 Day Dream.” I am especially a big fan of the song “Home,” which was a big hit with the crowd. Edward Sharpe and the Magnetic Zeros were a highlight for me. They also played the tunes “Janglin” andCome In Please” from the new album Edward Sharpe & The Magnetic Zeros. The charismatic Alex Ebert leads the band while Jade Castrinos brings a powerful vocal punch to the mix. In fact, I hope to see more of Jade on future releases.

After the Zeros I headed over for The Flaming Lips. The psychadelic warrior Wayne Cohen puts on a hell of a show, playing the classic tracks “Do You Realize??” andShe Don’t Use Jelly.” Norah Jones also played a sweet set of new and old tunes. I especially like the new tracks “Chasing Pirates” and “It’s Gonna Be” from the new album The Fall. She played a beautiful version of Johnny Cashs “Cry Cry Cry.” The night fell as Jones sung “Come Away With Me,” “Creepin’ In,” and “Sunrise.” And she closed with the Texan anthem “Lonestar.”

The Eagles opened their set with the full on harmonies from “Seven Bridges Road.” As the band sang “there are stars in the Southern skies,” the crowd erupted. From there we went on a wild ride through the Eagles catalog from “How Long” to “Take It To The Limit.” A trumpet solo introduced “Hotel California.” Quite frankly, I have been waiting a lifetime to hear “Hotel California” performed live.

Yet the night continued to get better, especially after achieving that “Peaceful Easy Feeling”  followed by a pleasant stroll through “I Can’t Tell You Why.” It was a solid start with mega-hits like “Witchy Woman” and “Lyin’ Eyes.” After a spacey almost psychadelic “Long Road Out Of Eden” the band transitioned into some past solo material. First the Eagles covered the James Gang hit “Walk Away.” And, “It seems to me” that the Eagles rock! Next they played the Don Henley solo hit from the 1980s “The Boys Of Summer.”

The cover material was followed by the hard-hitting social message laden tune “In The City.” In fact, I had never realized the political overtones in the Eagles material. The choreographed video and light show added emphasis to the social message in the song. “In The City” was followed by the classic track “The Long Run.” My favorite moment came when the band broke into the Joe Walsh tune “Life’s Been Good.” Before Spinal Tap poked fun at the rock star lifestyle, Joe Walsh had done it in this expose of excess and partying. After this, I was curious how the band would finale considering the amazing songs that had already been played.

But sure enough, the Eagles pleased with a hard hitting Don Henley song “Dirty Laundry.” The wonderful sound combined with the impressive video footage created a multimedia extravaganza during this song. Again an interesting political message emerged from the song. The band then returned to The James Gang and their hit “Funk #49.” To close the set the Eagles wrapped up with the pounding drums of “Heartache Tonight” and the rip-roaring guitars of “Life In The Fast Lane.” For an encore, the band brought the audience to its feet with “Take It Easy” and closed with a Texan favorite “Desperado.”

Austin City Limits Music Festival 2010 – DAY THREE

Austin City Limits Festival – DAY ONE

I went to ACL yesterday and saw some great bands, including Sahara Smith, Asleep at the Wheel, Blues Traveler, Kings Go Forth, the Black Keys, Pat GreenSlightly Stoopid, Vampire Weekend, and Phish. Wimberly, Texas-based Sahara Smith opened on the Austin Ventures stage and I liked the song “Are You Lonely.” But, it was Asleep at the Wheel that set the mood for the rest of my ACL experience. Ray Benson and his friends rocked. With steel guitar, fiddles, piano, guitars, bass, and drums The Wheel blazed through a hot set of western swing and classic country. The band opened with “Miles and Miles of Texas” and “Get Your Kicks on Route 66.”

Bob Wills Is Still The King

Asleep at the Wheel has been an institution in Texas since the 1970s. The band paid tribute to their heroes Bob Wills & His Texas Playboys with a Waylon Jennings song “Bob Wills Is Still The King.” From there they played the Bob Wills super-hit  “New San Antonio Rose.” Often Asleep at the Wheel teams up with a famous artist. For example, Leon Rausch recorded a new album with the Wheel called It’s A Good Day. At ACL Asleep at the Wheel played the title track from the album. The swinging musicians also played tracks from the Willie And The Wheel album recorded with Texas icon Willie Nelson, including “Hesitation Blues,” “Sweet Jennie Lee,” “Oh! You Pretty Woman,” and “I’m Sittin’ on Top of the World.”

I'm Sittin' on Top of the World

The rollicking Asleep at the Wheel set got even better with the hilariously titled song “Big Balls in Cowtown.” Followed by one of my favorite tunes of all time: “Hot Rod Lincoln.” I am a big fan of the post-1960s western swing revivalists. Commander Cody and His Lost Planet Airmen are another fine band that fits into the mold–a band that also played a wild version of “Hot Rod Lincoln,” as well as a great version of “Smoke, Smoke, Smoke That Cigarette.” Commander Cody appealed to the west coast hippies paying homage to the Cowboy Code. Long haired Ray Benson fits in with these western swing revivialists, but Asleep at the Wheel is more than all that. They have become an institution in Texas keeping musical traditions alive. Plus Texas music history owes a debt of gratitude to the band. The excellent theatre production A Ride with Bob featured Asleep at the Wheel and the amazing Ruby Jane playing a young Bob Wills. From pure western swing to boogie woogie the Wheel wrapped up their set with “Boogie Back to Texas” and “Bump Bounce Boogie.”

Free

Donavon Frankenreiter followed the Wheel with a fun set including “Move By Yourself” and “Free.” Frankenreiter played a sweet song written for his son titled “Call Me Papa.” He then covered Tom Petty’sAmerican Girl,” putting a chill twist on the Classic Rock gem. The mustached singer played his hit single “Glow” and the catchy “It Don’t Matter.”

Blues Travelerkilled with their old school single “But Anyway” and a cover version of Radiohead‘sCreep.” The hit singles “Run-Around and “The Mountains Win Again” were followed by an amazing jam with the 15-year-old fiddle player Ruby Jane. Jon Popper and his tight jam band also covered the Sublime song “What I Got” ending with the mega-hit “Hook.”

The Outsiders Are Back

The Kings Go Forthwere the great surprise band for me on Friday. Their 1970s funky disco sounds were groovy. This 10-piece American soul band from Milwaukee, Wisconsin has an incredible stage presence to accompany jams like “One Day,” “I Don’t Love You No More,” and “Don’t Take My Shadow.”  We all know what made Milwaukee famous, but now we know why it is funky!

The Black Keys powered through a garage rock and blues set that included “Thickfreakness,” Strange Times,”Tighten Up,” “Your Touch,” and “Everlasting Light.” While Texas country artist Pat Green transitioned from the anthem  “Wave on Wave” into a nice cover of U2‘sAll I Want Is You.”

Chronchitis

I have seen Slightly Stoopid at ACL at least three times now. And I have liked every show. The dubby grooves are infectious. The reggae-punk rock formula originally perfected by Long Beach’s Sublime works well. Plus the lads from San Diego have mastered their vocals and guitar playing and their brand of stoner rock is always welcome in Austin. Among the songs played at the festival were “I Would Do For You” and “Till It Gets Wet” and the extremely danceable “Somebody.” Slightly Stoopid plays party songs interlaced by the occasional punk rock explosion like “Punk Rock Billy.” But don’t think there is not a message in the music. Just take a close listen to the politically charged “Runnin’ With A Gun.” 

Vampire Weekend provided a nice segue between the dub of Slightly Stoopid and the jam rock of Phish. The Columbia graduates sound like Paul Simon’s Graceland with strong hints of The Clash and various other world music sounds mashed together into a refreshing pop sound. The set list included: “Horchata,” “Cousins,” “Oxford Comma,” “White Sky,” “Holiday,” “California English,” “I Think Ur A Contra,” and “Walcott.”

Phish played a classic set opening with a rocking “Down With Disease.” They followed up that original song with a cover of the Talking Heads track “Cities.” Phish is Mike Gordon on bass, Trey Anastasio on guitar, Jon Fishman on drums, and Page McConnellon keys. But at times it seems like there might be twenty people on stage. The sound is full and lush and really meant to be listened to at a venue like Zilker Park. Following the Talking Heads cover, Phish geared up for a funky-driving “Possum.”

Wolfman’s Brother” brought people to their dancing feet while a jammed out version of “Chalk Dust Torture” awed the crowd. My favorite moment was an unexpected Velvet Underground cover. I dig Lou Reedand the Velvet Underground, so a bad ass version of “Rock And Roll” is alright with me. From this foray into the underground  Phish smoothly transitioned into an almost symphonic spaced out “2001.” I am also a big fan of the newest album Joy, from which Phish played the excellent track “Backwards Down The Number Line .”

Joy (Amazon MP3 Exclusive Version)

After a reggafied “Harry Hood” the boys played another one from Joy called “Light.” I am not as familiar with this song, but it provided a nice pallet cleanser for a rockin’ “Suzy Greenberg.” The set concluded with an extended “You Enjoy Myself.”  The encore rocked with a killer version of “Cavern” and a crowd-pleasing “First Tube.”

Quite frankly, Phish put on a hell of a show. It was nice to see Phish in Texas again. I hadn’t seen Phish in Austin since they played at South Park Meadows in the late 1990s. Hopefully, Phish will return to Texas in the near future. People forget Trey Anastasio was born in Fort Worth, Texas. So come on boys, bring it on back to Texas sometime. Why not? I guarantee a sold out crowd at the Bass Performance Hall in downtown Fort Worth. Come rip our faces off with a howling version of The Edgar Winter Group‘sFrankenstein.”

Austin City Limits Festival – DAY ONE